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Breuer



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In 1956, Time magazine called him one of the “form-givers of the 20th century“: with his invention of steel-tube furniture, Marcel Breuer (1902-1981) has made his mark in the history of design at the tender age of 23. He started his architectural career as one of the Bauhaus’s most influential architects with the 1932 Harnischmacher House. Even Breuer’s earliest work was marked by the search for a symbiosis between local and global, big and small, smooth and rough. His sparse use of materials emphasized the balance among textures, colors, and shapes. In 1943, he conceived the “binuclear” house concept—the splitting of living and sleeping areas into separate wings—which he first applied to the Geller House I (1944-1946), and which would attain great popularity. After designing the UNESCO headquarters in Paris (1953-1958), reinforced concrete, with its formal plasticity und structural elasticity, continued to give monumental character to buildings such as the Abbey and Campus of St. John’s University in Minnesota (1953-1961), the IBM Research Center in France (1960-1962), and the Whitney Museum of American Art (1963-1966) in New York City. With his keen sense of proportion, shape, and material, Breuer is one of the most important Modernists and is still very much central in the discussion of contemporary architecture.






In 1956, Time magazine called him one of the “form-givers of the 20th century“: with his invention of steel-tube furniture, Marcel Breuer (1902-1981) has made his mark in the history of design at the tender age of 23. He started his architectural career as one of the Bauhaus’s most influential architects with the 1932 Harnischmacher House. Even Breuer’s earliest work was marked by the search for a symbiosis between local and global, big and small, smooth and rough. His sparse use of materials emphasized the balance among textures, colors, and shapes. In 1943, he conceived the “binuclear” house concept—the splitting of living and sleeping areas into separate wings—which he first applied to the Geller House I (1944-1946), and which would attain great popularity. After designing the UNESCO headquarters in Paris (1953-1958), reinforced concrete, with its formal plasticity und structural elasticity, continued to give monumental character to buildings such as the Abbey and Campus of St. John’s University in Minnesota (1953-1961), the IBM Research Center in France (1960-1962), and the Whitney Museum of American Art (1963-1966) in New York City. With his keen sense of proportion, shape, and material, Breuer is one of the most important Modernists and is still very much central in the discussion of contemporary architecture.


American born. Despite the widespread popular belief that the chair was designed for painter Wassily Kandinsky Breuers colleague on the Bauhaus faculty it was not Kandinsky . Breuer had used cantilevers in his furniture design as early as 1922 notice that the arms of his wooden armchair are cantilevered and not supported in front. Austrian physician treated people with mental illness by. Breuers mother died when he .


Geller House Breuer

Marco Breuer b. Curated by the Vitra Design Museum the exhibition of Breuers work currently in Paris at the Cité de lArchitecture et du Patrimoine is the first . He works in Boca Raton FL and specializes in Internal Medicine. Breuers Heirloom Furniture Antiques is a unique store that draws curious shoppers from throughout the tristate area. BreuerChairCompany is a Wholesaler for Marcel Breuer Chairs complete product line. developed the talking cure cathartic method and laid the foundation to psychoanalysis as developed by his protégé Sigmund Freud. The name became prominent in local affairs and branched into many houses which played important roles in the savage tribal and national conflicts. Breuers tough brutalist designs were sculptural and expressive and their ambition and scale has come back into fashion. The Met Breuer is an extension of the Metropolitan Museum of Arts Contemporary collections and special exhibitions. Breuer was a student and subsequently a master carpenter at the Bauhaus in the early 1920s.


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Breuer



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